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Carving Through Borders: Exhibit at ArtRage Gallery

Written by Mary Beth Schwartzwalder  • June 28, 2017

Image Credit: ArtRageGallery.org | Left: "Image by Mazatl. He is an activist and artist who lives in Mexico where he partakes in several collectives seeking social/political/environmental justice."

Image Credit: ArtRageGallery.org | Left: “Image by Mazatl. He is an activist and artist who lives in Mexico where he partakes in several collectives seeking social/political/environmental justice.”

 

“When you’re interacting with art it’s a moment for you to connect with the story.” – Favianna Rodriguez, artist and Co-Founder of CultureStrike

ArtRage Gallery’s current exhibition, “Carving Through Borders,” showcases large-scale woodcuts from fifteen artists exploring the experiences of documented and undocumented immigrants. Using woodcuts to make prints has a long history in social justice movements and ArtRage’s display seeks to illustrate “various aspects of migration—detention, deportation, displacement, discrimination—and also communities’ resistance and resilience.”

The pieces on display were made in 2014 as part of Syracuse University’s printmaking program. Professor Holly Greenberg and her students traveled to San Fancisco’s Mission District to set up a print making shop and work with local artists to produce large-scale prints intended for use as flags and banners in protests across the country. To learn more about their project and the artists involved, check out the video below made by Daylight Blue Media.

 

 

 

“Carving Through Borders” will be on display until July 7, closing out ArtRage’s exhibits for their summer hiatus. In Tandem with the show, a Butterfly Wing Workshop is scheduled for July 5 at 7:00 PM to celebrate the themes of “migration” and “transformation.” Participants will paint and decorate wings to be worn at marches or rallies. You must RSVP to participate: email info@artragegallery.org  or call 315-218-5711.

To learn more about the exhibit, visit ArtRage’s website or read this review in The New Times.

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